Kewpie sends the link (via Morrissey reddit), originally posted by Walter Ego in the forums (original post):

A clarion call for the movement - SocialistWorker.org

Excerpt:

MORRISSEY HAS also had a relationship with LMHR in the past. Back in 2008, he gave several thousand pounds to the group to help out with one of your carnivals. With his recent comments, though--calling the Chinese a "subspecies"--do you think there will be any kind of relationship in the future?

NO, I think it's gone now...

...I don't believe it's a mistake. I think it's conscious, and I think he's gone too far. In our organization, some of the bands have already met and talked about it, and we don't want to be associated with him. We feel it's not helpful to anybody.

Of course, he could come out and make a clear denunciation, saying he didn't say it--he hasn't done that so far. And he hasn't contacted us to say he wants to distance himself from his statements. I think really he has to grow up at minimum.

Simon Goddard writes:

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Mozipedia (US) at Amazon

Related item:

• Mozipedia goes stateside (Sep. 28, 2010) - Mar. 23, 2010

News posted in the forums by Uncleskinny:

www.itsmorrisseysworld.com has been updated

With new clips and info about Bona Drag.

http://www.itsmorrisseysworld.com/

Ben G writes:

goinghome sends the link:

LATE NIGHT, MAUDLIN STREET - Ecouterre

Designer Ashton Hirota was thrust into the role of fashion stylist when he became annoyed with how other people were handling his garments. Taking that lateral leap allowed Hirota to continue to dabble in his own designs while dressing musicians such as Fergie and the Black Eye Peas, Regina Spektor, and Panic at the Disco.

At The GreenShows at New York Fashion Week on Monday, Hirota paid homage to another music idol—Morrissey—by invoking the British singer-songwriter’s dour, dry wit, along with bondage symbolism and military influences.

Hirota invoked Morissey’s dour, dry wit, along with bondage symbolism and military influences.

To set the moody tone, celebrity makeup artist James Vincent directed his team at Youngblood Mineral Cosmetics to accentuate the model’s faces with shadowy hues and somber liners, while embellishing their skin with brightly hand-painted tattoos. The finished look was an ominous horizon of cumulonimbus clouds, punctuated by the occasional glimpse of clear sky.

Wilde about the Moz writes: