posted by davidt on Thursday June 08 2006, @11:00AM
James H writes:
Working in the music industry I have access to the midweek charts and can confirm Morrissey held the number 7 position after Mondays sales but has now slipped to number 9. He is 50 copies ahead of Tony Christie so is likely to slip just outside the top 10 by Sunday.
posted by davidt on Thursday June 08 2006, @11:00AM
Belligerent Ghoul sends the link/excerpts:

Vaguely Gay: From David Bowie to Jared Leto by Locksley Hall - AfterElton.com

Over the past thirty years, a small but significant number of male celebrities--from David Bowie to Morrissey to Jared Leo--have played the queer card without ever explicitly and permanently confirming themselves as queer. They have made references in their works, dropped hints in interviews. Some have even stated that they are gay or bisexual, only to take it back later and say that it was never true, that they were joking...

Morrissey is a famous inheritor of the gay vague persona. From the early 1980's till today, he has danced around the issue of sexuality in interviews, giving oblique and sometimes contradictory answers. He's celibate. He's not celibate. He's attracted to women. He's attracted to men. He's attracted to both. He's not attracted to anyone.

His songs are similarly ambiguous. There are lyrics that use the male pronoun and could be taken as expressing gay desire. There are lyrics that could be taken as expressing straight desire. And there are lyrics that are gender neutral.

Morrissey's admiration for gay icons such as Oscar Wilde and James Dean, and his references to gay culture (as in the picture of openly gay Andy Warhol star Joe Dallesandro on the cover of The Smiths' debut album) have led many fans to conclude that he is, in fact, gay. But while his fellow 80's vaguely gay pop stars George Michael, Neil Tennant, and Boy George have all eventually made their way out of the closet, Morrissey's sexuality has remained undefined...

...Some queer journalists have attempted to answer this question. Richard Smith, of the UK magazine Gay Time, has repeatedly admonished Morrissey that he has a responsibility to his gay fans to come out if he is gay.

But to longtime Morrissey fan Mark Simpson, such appeals are pointless. Simpson attributes to Morrissey a desire to stand outside the entire modern structure of sexuality, the structure described by words such as "gay" and "straight" and "coming out". As Simpson stated in a 2003 interview with Attitude magazine, “‘Bisexual' might describe [Morrissey], if it didn't suggest twice the opportunity instead of twice the frustration and rejection.” In his recent book Saint Morrissey, Simpson wrote that "Morrissey's ambition, his perversity, his sensibility was far too large, too talented, too vicious to be fitted into this harmless, silly, precious, sequinned little word 'gay'."

But some critics of Morrissey would argue that the only way for the word "gay" to cease to be “harmless, silly, precious, sequined” is for gay men to own it. The only way for the word to shed the stereotypes and denote nothing except same-sex attraction, is for homosexual men of all types to use it.

This is what really bothers certain gay activists about Morrissey and other gay men's refusal to label themselves: if men who are attracted to men avoid the word "gay" because of the stigma and stereotypes it connotes, then the stigma and stereotypes will never be eradicated.
posted by davidt on Thursday June 08 2006, @11:00AM
Noam Bar Shalom writes:
Avi Yehiel, the rather short defender of the Israeli national football team, who gave the lucklustre header against ireland (draw 1:1), and possibly a major contributer to Ireland's absence from the world cup - is a devout Moz fan.

On HA'IR's ("the city", Tel Aviv's most popular weekly magazine) front page there's a photo of himself on a present-ROTT Morrissey backdrop. Inside, the footballer himself is the author of the unlikely confession. He attended the 21 May London Palladium gig, and wrote about that in a very emotional way. quotes: "he even says that his inspiration for the heroic game in Dublin was no other than IBEH, when all other players had to listen to some silly pop song he hid his headset playing the song...

He continues with a touching description of the day of the gig, anybody who wants the full translation of any reason can contact me...
posted by davidt on Thursday June 08 2006, @11:00AM
Kevin Lloyd writes:
To celebrate the 20th Anniversary of the release of The Queen is Dead Salford Lads Club is holding an open weekend from 16th – 18th June.There will be two small exhibitions on show as part of National Architecture Week.

‘Iconic Images from the Dirty Old Town' is a display of photographs documenting how the Barracks Estate, Ordsall has been an inspiration for songwriters such as Ewan McColl and Morrissey and how the real Coronation Street may after all have been an inspiration for the fictional one!

‘The Smiths is Dead’ exhibition in the Smiths room tells how this corner of Ordsall became a musical icon after a brief visit by a ‘local band’ in late 1985. Club volunteers and fans of the Smiths tell how the Stephen Wright photograph changed their lives, for many that photo on the inside sleeve was their first introduction to Morrissey.

On Sunday 18th June from 11-1pm Stephen Wright will be at the club to chat and take photos followed by a gig from The Other Smiths at 2pm in the club main gym, who will be playing tracks from TQID. Volunteers will be on hand to give tours of the building and to answer any questions. Well worth a visit to anyone who hasn’t been inside.

Entry is free though donations towards the running of the club are gratefully received. For more info please email [email protected]

Thanks and see you there!
---
Charity photo shoot press release / details (.doc format)
Today's News | June 9 | June 7  >


[ home | terms of service ]