I thought Pigsty was inspired by the male / gay prostitutes that filled the streets of Rome.
Here's a reference f rom autobiography:
"My nightly walks with Jesse would begin at the tip of Villa Borghese where Via Ulisse Aldrovandi lines up its glossy array of roadside prostitutes - mostly...
And other left to never return: Marc Nevin, Alain Whyte, Spencer Cobrin, Mikey Farrell.....is it just a coincidence that they all co-wrote (at least a couple of) songs with Morrissey?
It is nice of him to praise Morrissey's talent and humor.
How come that Johnny Marr never worked with Stephen Street again? That wouldn't feel unnatural at this point, not to me.
Peter Katsis? He was spotted at Morrissey's concert in London back in March. No idea what happened to him since. He may still be around, or he may not if Morrissey thinks he doesn't need a manager right now.
I think that Morrissey might ask his PA to take him to the dentist at whatever time of the day or the night. Just like he expects his PA to carry his suitcases all over the globe. But for how long would the PA put up with this if it were just a job? 1Apparently, Damon has been doing this since...
Gail Lawson (or something like that) was his manager at that time. She was the one whose phone calls Moz didn't return for about 6 weeks at the peak of his success with Viva Hate. So I thought this relationship was particularly bad, not even compared to the bottom line that you described here...
No, I think it was the Italian guy (Gelato) that he met in Dublin airport and presumably on the flight from Dublin to Rome.
But wasn't Damon the hairdresser from Dublin that they flew in a couple of years later to join Moz camp?
It seems that the contacts between Morrissey and Street have been erratic and scarce since they terminated their collaboration. Still, I got away from this little article with the feeling that there have been more contacts between Morrissey and Street than between Morrissey and Marr since the...
Most likely, the contractual arrangement were as bad in 1988 as they were during the time of the Smiths. Morrissey had a manager around that time that he didn't get along with, he hadn't found a professional team that he could trust, and his mother was still looking after his business in the...
I don't like Judy Is A Punk as an encore. It is finished before you know it, and you are left feeling that there was no encore at all. Apart from that, it is never a good idea to use a cover as an encore.
At least it sounds like a song in this version. The piano is a huge improvement from all the tuneless noises on the studio recording, and his voice is also better here without the added effects to make it sound that he's singing somewhere deep under the water. Still, he has made better piano...
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