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Anonymous
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cool thanks for the civil reply.
cool thanks for the civil reply.
1. Your Arsenal - I can’t imagine what it was like in 1992 when this came out, following up Kill Uncle. 10 songs. No duds. Great production. Great lyrics. I do remember being 11 years old and seeing “Tomorrow” on MTV and being intrigued, but not enough to dig in until a few years later. Classic.
I love the quotation marks too but they are really only meant to be used on a song or album if the title is actually "quotable" as in something someone actually says. Which is why they aren't all like that. The "Kill Uncle" sleeve is so beautiful though isn't it? But you're right they could've done a few more with quotes. They definitely missed out on a few. You Are The Quarry should've had them for sure.
Yes, but it does have a comma. I love that comma.
The Kill Uncle sleeve is so gorgeous. It looks like the album sounds—dipped in pale blue, muted and soft.
The rockier stuff on Your Arsenal is a bit tiring though, isn't it?
Which is about half of it, I guess. It's just so unconvincing. This is Morrissey ffs! World Peace is much more natural and eclectic and alive!
I can understand Your Arsenal being appealing to people who think it has a bit more masculinity to it, but it just doesn't. It's all surface. I think that's the point, really. World Peace has far more depth.
The rockier stuff on Your Arsenal is a bit tiring though, isn't it?
Which is about half of it, I guess. It's just so unconvincing. This is Morrissey ffs! World Peace is much more natural and eclectic and alive!
I can understand Your Arsenal being appealing to people who think it has a bit more masculinity to it, but it just doesn't. It's all surface. I think that's the point, really. World Peace has far more depth.
Good god no. The guitars make Your Arsenal - just as they make Years of Refusal.
They're so watered down though, aren't they? Why would you go to that album for the guitars when stuff like that's been done better on so many other albums by far better musicians?? Without Morrissey it's just so conventional; diluted rock, weak rockabilly, a rudimentary ska bassline on Tomorrow. I can't imagine why anyone would go to it for the guitars.
I agree about the rockabilly - not a fan of that phase of his music at all.
But the guitars and rockier elements are fine - play it loud and it holds up well. There's enough variety and texture to keep things interesting.
Far better that than the godawful soufflé muzak of the new album, which some bizarrely seem to think is 'experimental'. I've even seen the words 'avant garde' being banded about! f*** me.
#2 Quarry (Two reasons "come back to Candem", A very touching song and Wonderful B-sides)
#10 Refusal (The thing with this album are the vocal part, Moz' voice never sounds so bad specially in "Something is squeezing, and "It's not your birthday..." which are wonderful songs but the voice doesn't fit, the songs I only like the songs from that era: "My dearest love" and "Because of my poor education")
I live in Camden...
Yes, but it does have a comma. I love that comma.
The Kill Uncle sleeve is so gorgeous. It looks like the album sounds—dipped in pale blue, muted and soft.
His singing is superb from start to finish in Years Of Refusal. If you can't hear that, then well, I really don't know that to say - your ears must be wired up wrong.
As for 'Come Back To Camden', well it's all a bit ex-pat twee, isn't it? I live in Camden, and it's not like this.