Ha, I don't doubt it. Everybody loves them. And after all, what is there to dislike? Nothing. It's just that there's not really much there that isn't inherent in the package, so to speak. Singularly unambitious music that never attempts to reach beyond its comfort zone, which just makes it a bit dull to me. How would the music stand up if sung by an unexceptional singer? Well, not that there's much point in debating subjective experience and in a way that's a bit like asking how hendrix would sound if he was a mediocre guitarist, but I like my music to be more than a lovely voice and good production values, and frankly I don't think MS has much to offer on those terms. To say nothing of Hope Sandoval's solo stuff, which I find downright pointless.
Several Cocteau Twins albums you may like
Again, you're a HERETIC, lol
her solo stuff is every bit as good as her stuff with Mazzy, in my opinion. But again, I'm biased because she's the greatest female singer ever in my mind. I actually think her solo stuff has a lot more definition on a musical level than Mazzy Star, which was probably her intention. I've always looked at her voice as the focal point, with the music serving as merely a backdrop
so I can understand if you find the music a bit lifeless. I doubt, like you said, anybody is showing up to hear what's going on behind her
The new single "Shadow" by Wild Nothing is pure dreampop/shoegaze. Yes it's all paint by numbers dream pop. Slightly asthmatic vocals, lush soft strings, etheral if you will, but it is sure doing it for me.
Might end up as my single of the year.
I'm basing my opinion of her solo stuff on just one album, so I might be unfair. In any event, pay no attention to my scepticism - if the music works for you with her (fabulous) voice as the focal point, then it does. My loss, I guess.
Here's a better Cocteau Twins song from Treasure!
So have you listened to Asobi Seksu yet?
Ride don't quite fit into the shoegaze genre.
I saw Slowdive open for Ride many years ago. I'm not sure it would be possible to overstate the contrast between the two bands. Onstage, Slowdive looked like they were napping on their feet. There was no energy, artistry, or talent on display. I was astonished to see the band visibly trying to look bored and dreamy: professional mopers. They telegraphed their minimalism to a laughable degree.
Then Ride came on and blew the roof off. They did the fast, rocky stuff better; they did the slower, cinematic, textbook-shoegaze sound better; they did everything better, with charisma and talent to burn. Ride's problem was that they were far better and bigger than the shoegaze genre and they knew it. Weirdly, though, when they actually tried to step into being what they already were-- one of the best rock bands in the world-- they stumbled badly and lost their identity. One of the weirder stories of the 90s.
If you're going to go there, you should check out Maria Minerva and Laurel Halo. And going back in time, why not Julee Cruise?
Grimes - Nightmusic (feat. Majical Clouds)
gr8 list, especially "Lush"