but he is asked often questions like "who is your favorite collaborator/frontman/singer/lyrist? Who did you enjoy working with most what is your favorite song/album?"
When given these chances he rarely if ever gives Morrissey credit - credit goes else where far more often.
I just get the feeling marr would love a reunion he'd love another chance at generation defining greatness and he knows he can only achieve it with Morrissey - I maybe wrong but its the picture i get from these dumb answers he gives.
really? I not sure - even you believe its true - why does marr have it so wrong? ... This is clearly the case then, he's definition of sucess differs from mine - maybe thats it, he is delluded - me and you and everybody else knows the truth though right?
he enjoys working with others more, and thinks they are better, even stating the latest cribs album was as satifying to work on as THE BEST of the Smiths? lol
instead of constantly hearing about bernard - wouldn't you?
he left - even he says it himself - even if he had felt pushed he didn't have to leave
I agree that it wouldn't hurt Marr to say something nice about Morrissey occasionally. There does seem to be a real reluctance on his part to give Morrissey too much credit.
Does Morrissey come out in interviews and talk about Johnny Marr as the best guitarist, producer, and songwriter in the world? Why not?
Could it be because his collaborators, like Johnny's, read newspapers and web sites like everyone else?
Dear Internet,
Please don't let The Smiths reunite, especially not in a tragic one-off lumbering Rock n Roll Hall Of Fame-esque free for all.
Your Friend,
Black Cloud
You're really wrong on this one, Worm.
Marr has hardly ever said a single positive thing about Morrissey's solo career. The only exception is for 'The Last of the Famous International Playboys'.
Much of what he's said could be interpreted as snide comments. He doesn't listen to modern Moz songs coz he knows what they're gonna sound like. He doesn't listen to modern Moz coz it's not his kind of thing.
Who's the best vocalists Morrissey or Curtis? "Tricky one but I'd go for Curtis" (or words to that effect). Unbelievable!
Can you imagine Morrissey being asked who's the better guitarist, Marr or Edge, and him replying Edge? Of course you flipping couldn't!
Morrissey said that Marr hasn't been equalled. Morrissey dedicated his Ivor Novello to Marr (or at least thanked him specifically).
With the exception of a comment about an early Electronic song, Moz hasn't said anything unpleasant about post-Smiths Marr; quite the reverse (see the praise he gave Marr in the notorious NME immigration interview).
To say that Marr and Moz have been equally supportive/positive about each other in their post Smiths years is just nonsense.
You're really wrong on this one, Worm.
Marr has hardly ever said a single positive thing about Morrissey's solo career. The only exception is for 'The Last of the Famous International Playboys'.
Much of what he's said could be interpreted as snide comments. He doesn't listen to modern Moz songs coz he knows what they're gonna sound like. He doesn't listen to modern Moz coz it's not his kind of thing.
Who's the best vocalists Morrissey or Curtis? "Tricky one but I'd go for Curtis" (or words to that effect). Unbelievable!
Can you imagine Morrissey being asked who's the better guitarist, Marr or Edge, and him replying Edge? Of course you flipping couldn't!
Morrissey said that Marr hasn't been equalled. Morrissey dedicated his Ivor Novello to Marr (or at least thanked him specifically).
With the exception of a comment about an early Electronic song, Moz hasn't said anything unpleasant about post-Smiths Marr; quite the reverse (see the praise he gave Marr in the notorious NME immigration interview).
To say that Marr and Moz have been equally supportive/positive about each other in their post Smiths years is just nonsense.
I spent a few minutes Googling Johnny Marr interviews earlier today, and I posted a few quotes. Can you do the same for this? I'm not trying to be a pest. I know of several statements he's made about Bernard Sumner (I don't deny he's made catty comments about Morrissey) but my sincere impression, from years of reading Johnny Marr interviews with great interest, is that these catty comments are few and far between-- and there are more than enough nice comments to balance them out.]
I think you'll find that Morrissey doesn't give credit to Johnny very often. Nor does he talk fondly of his own older work, solo or Smiths. If I'm not mistaken, Morrissey called "You Are The Quarry" his best album ever. Then he said that about "Ringleaders". And again about "Years of Refusal". Neither of them spends much time talking up the past.]
I don't see any difference between the flip answers he gives and the ones Morrissey gives ("I'd sooner eat my own testicles").]
I can't prove you're wrong but I will say that I think your interpretation is a case of "reading between the lines" and mine is based on what Marr actually says. Why shouldn't we take Johnny at his word?]
Yeah, but when can any artist evaluate his own work accurately? I don't expect Morrissey, Marr, or anyone else to agree with my assessment. Dan Brown probably thinks he's the greatest popular novelist since Dickens-- I disagree, but I wouldn't expect him to agree with me, let alone volunteer his agreement in print!]
The reason I've focused on Marr's own definition of success is to argue that Marr does not feel any real need to play with Morrissey again, for a one-off gig or a couple of singles or whatever. I'm not saying Marr is right about his self-evaluation. I'm saying he may be telling the truth when he says he doesn't care about one more shot at "generation-defining greatness", as you put it. I really don't think he cares. He and Morrissey defined their generation twenty years ago. A generation defined once is defined forever. It's done. It's over with.]
Hey, I agree with you. It sounds ridiculous to me, too. I'm not really interested in rendering a judgment on whether or not he's correct, merely in what he believes is correct.]
No. I don't need to hear him say it. We all know it. He knows it. As I said he doesn't want to overshadow his current bandmates. That's fair and understandable. I guarantee you that a day will come when Marr will make a grand and definitive statement of admiration, affection, and respect for Morrissey. I think Marr will be about, oh, 85 years old when that happens. But so what?]
And also I have to quibble with your use of the word "constantly". He's talked up Bernard a few times, mostly in a lighthearted way. He hasn't "constantly" praised Bernard at Morrissey's expense.]
By way of response, read this:
"My big memory of The Queen Is Dead," says Johnny Marr, "is being behind the mixing desk at about half 12 in the morning. We had all this elation going on, a real high, and it was, How about his on the verse, and this on the chorus? There was also some shit going on about us being out of our Rough Trade contract.
"Morrissey had been talking to a lawyer about it. This guy was the biggest clichéd textbook, we didn't like him at all. He called me up. It was a closed session, not easy to get through to us — but he managed it. He said, 'I'm working on this, Johnny, but we may be looking at an injunction on this record.' I'm a quarter of the way into climbing this mountain, and I've got this wanker telling me Rough Trade are going to injunct the record. I was like, (Sarcastically) Great, fantastic.
"Then the phone went about three-quarters of an hour later, and it was this guy Jay from Rough Trade — who was a sweet guy — to tell me that Salford Van Hire had been on to Rough Trade, and because our roadie had brought the van back two days later than we'd paid for, they were going to sue as well, and we needed a lawyer's address. I was like, Jay — f*** off. And I went back to climbing the mountain. That was the one of the first times I took a picture in my mind, and thought, This is insane."
- Mojo, April 2001
andRolling Stone - September 2011 - Reporting From Cleveland
The Smiths were enshrined into the Rock and Roll Hall of Fame in high style Saturday night...
Moz/Marr openly praising each other would only encourage yet more inane reunion speculation amongst the fans and in the Press - something I would guess that both of them are sick to the back f***ing teeth of hearing.
Rolling Stone - September 2011 - Reporting From Cleveland
The Smiths were enshrined into the Rock and Roll Hall of Fame in high style Saturday night. Appearing onstage together for the first time in 24 years, Morrissey and Johnny Marr electrified the crowd with an acceptance speech that was humorous and emotional in equal measure.
"I'd be a corpse rotting in the bowels of a library somewhere in Manchester if he hadn't knocked on my door", said Morrissey, visibly fighting tears.
"Morrissey, we were equal partners, but I have to say, in your words, the pleasure and the privilege were mine", Marr answered.
At the conclusion of the speech, Morrissey and Marr were joined by former bassist Andy Rourke and drummer Zak Starkey (filling in for an absent Mike Joyce) for a rousing mini-set of Smiths classics.
Surprise guest stars poured from the wings to jam with the legends from Manchester who many consider the best band of the Eighties.
Carlos Santana played a rousing six-minute solo during "Shoplifters Of The World Unite". Elton John played piano on "A Rush And A Push And The Land Is Ours". Tom Petty added some acoustic guitar while Johnny Marr sang a rowdy version of "Asleep", with Morrissey sporting a quizzical look as he banged a tambourine from the side of the stage.
Bruce Springsteen paid tribute to The Smiths before "This Charming Man". "I didn't even know where Manchester was on a map before The Smiths came along. That's the power of rock and roll, man".
Coldplay's Christ Martin was even more emphatic. Pointing to Morrissey, Martin simply shook his head and said, "This guy. This guy. This guy is the reason".
The highlight of the set was a blistering, heart-breaking rendition of "There Is A Light That Never Goes Out". Morrissey introduced the song by giving out the web address to the iTunes Store for a free download. "Please go and download a free live track from iTunes.com, and thanks to Apple for sponsoring this year's show", the graying singer intoned before Phil Collins, guesting on sticks, began the famous intro to the song.
The big surprise of the night came when Bono flew onto the stage wearing a jetpack to sing the final verse of the song with Morrissey. He seized the microphone and waded into the crowd holding a spotlight from the stage, aiming it into the faces of the audience. "The Smiths were the f***ing truth. God bless you, Steven Patrick. God bless you, Johnny. Debt relief for Africa now!" The song continued for three minutes as Bono interjected lyrics from "Love Will Tear Us Apart", "Tangled Up In Blue", and "What's Goin' On".
The Smiths play Giants Stadium in New Jersey next week on the first stop of their "Make The World Listen Sponsored by MasterCard" stadium tour. After the awards ceremony, Marr sounded as enthusiastic as ever about the upcoming shows. "We've got a big, like, twenty million dollar stage set so people can really get the full Smiths experience", said Marr.
Responding to criticism about the ticket prices, which range from $175 to $885, Marr was defiant. "Nonsense. We're going to play a minimum of twenty-five songs during the set to make sure our fans get their money's worth. Morrissey will be tossing out six to seven Gucci shirts a night. Plus Green Day is opening for us".
no i'm not finding quotes - trust me - plus others people on here say the same thing
he used to say it all the time
Morrissey humbled himself for years and only gave up when all he got was snide.
so again you think he's delluded okay i get it
This is why i yawned - so what - he still left - he could have took a break.
that started off quite nice and then rapidly became horrid.
Okay, well, I've tried to back up my arguments with quotes..
Nobody is going to dig up any quotes which reveal Johnny to be a proud man who secretly wants to reunite The Smiths but can't say the words. All the evidence is to the contrary..
No, he didn't.
You're making a soap opera out of the barest shreds of evidence.
No. I don't think Johnny Marr is deluded.
I think Marr defines success as being half of one of the greatest songwriting duos in the history of pop music (check), making music that gratifies his ever-changing tastes (check), playing with friends (check), making lots of money (check), and leading a positive, forward-looking life that doesn't involve revisiting the past for the enjoyment of tens of thousands of strangers who will always resent him for breaking up The Smiths anyway (check)..
Not only do I think Marr doesn't care about a Smiths reunion, I think he's probably the healthiest-minded famous musician I've ever seen or read about. He says he wants to live in the present and not the past. Why is that so difficult to believe? .
No. He could not have taken a break. He could not have taken a break because there was a permanent, in-built wrench in the gears and its name was Morrissey. Personally I don't know if the accounts of The Smiths are true or not-- see my comment above about the press-- but from what I've read The Smiths were breaking down because they didn't have proper management, and it has been strongly suggested that in the eyes of Johnny Marr proper management was impossible because of Morrissey.
you seem to like to argue - if you look hard enough you'll find quotes if you want them, their are too many to find/mention - lots of people on this thread remember them.
evidence? give over - you are being silly if he can't say the words there will be no quotes
yeah i've read those books too - didn't believe most of them
you're making a soap opera - i am keeping it simple
yawn - you do seem a little anti-morrissey "a built-in wrench"? get you! - he could have taken a break. their was no gun to his head - even if he had to leave he could have been nicer about it.
In other words, the evidence that does exist you discount. The evidence that does not exist you make up to suit your version of events.
Wouldn't "keeping it simple" mean taking Johnny Marr's words at face value?
I could argue against this but you'd probably dismiss as lies the magazine articles, video clips, and books I could cite.?
We've reached a point of diminishing returns. That's okay. That's where all these threads end up anyway. Fun all the same. ?
I'll close by bringing it back around to the subject of this thread. If Morrissey and Marr are pals again, does it make sense to be indignant about Marr's public slights against Morrissey, when Morrissey himself is apparently over it?
Morrissey will only be over it when johnny starts to tell the truth